In a format of smooth watercolor, aggressive acrylic paint, and gestural pencil lines. The works are meant to be displayed as a continuous narrative and, borrowing from iambic pentameter, have a poetic structural flow (Rising action, rising action, and falling action). The unevenly cut paper suggests that the work itself has a history, yet the contemporary cultural references and iconography pull the viewer back. These works seamlessly merge the ancient with the contemporary.